Somewhere between holiday movie and guilty pleasure lies The Holiday. The tale of two women from opposite continents who escape to each other’s homes & lives to escape their own at Christmas is much more fun and touching that you might think.
What I like most about The Holiday is that this is the film that made Jack Black more than a crazy comic to me; here he plays Miles, a nice guy and a film composer who gets cheated on but ends up rescued by Kate Winslet. And who would have ever thought Winslet and Black would be a cute couple? Nancy Meyers scores points for that one.
Perhaps what makes the LA portion of the story all the more enjoyable is the addition of Arthur Abbott – a writer from the golden age of Hollywood afraid to venture back out into the world. He manages to reset Iris’s world view and in the process resets his own.
This might be a chick-flick, but I do enjoy this film.
Iris: Well, I just wanted to get away from all the people I see all the time!... Well, not all the people... one person. I wanted to get away from one... guy. An ex-boyfriend who just got engaged and forgot to tell me.
Arthur Abbott: So, he's a schmuck.
Iris: As a matter of fact, he is... a huge schmuck. How did you know?
Arthur Abbott: He let you go. This is not a hard one to figure out. Iris, in the movies we have leading ladies and we have the best friend. You, I can tell, are a leading lady, but for some reason you are behaving like the best friend.
Robert Mitchum played the drunk in El Dorado, Dean Martin played the drunk in Rio Bravo. Basically it was the same part. Now John Wayne played the same part in both movies, he played John Wayne... Get Shorty
Showing posts with label cameron diaz. Show all posts
Showing posts with label cameron diaz. Show all posts
Monday, December 27, 2010
The Holiday
Labels:
cameron diaz,
eli wallach,
holiday,
Jack Black,
jude law,
kate winslet,
nancy meyers
Tuesday, July 6, 2010
Knight and Day
I’ve been in love with the Tom Cruise in movies since I fell in love with Top Gun years ago, and it broke my heart while I was in college and in star began to tarnish. Thankfully for me, his star has been glowing a little more in the past few years, first Les Grossman and Valkyrie and now it can continue with Knight and Day. Knight and Day is the kind of Tom Cruise movie that I adore watching, and for the life of me I cannot figure out why this movie is not burning up the box offices. Knight and Day is a spy romantic comedy for lack of a better description of the genre, and it works on every level.
June Havens accidently gets caught up in the path of government agent Roy Miller, who is trying to protect young genius Simon from a rogue agent – a rogue agent who has pegged Miller as the bad seed and has the agency tracking him, and now June, down. While June is the resistant passenger on Roy’s journey she begins to fall for Roy even though she’s never sure if his tale of conspiracy is a lie or the truth.
The reason this film works so well is because of James Mangold. This director has put to huge stars together with Cameron Diaz and Tom Cruise and yet neither outshines the other, and their chemistry is fun to watch whether they are sparring verbally with one another or being attacked.
I’ve complained a great deal about directors that can’t handle tonal shifts in their films, and Mangold deserves praise because the tonal shifts in Knight and Day are imperceptible. As a viewer you go from laughing to anticipating onscreen gunfire without ever noticing that the mood suddenly changed in the film, simply because the writer, actors and Mangold did their job well – so well it looks easy and forgettable.
This movie is built around the chemistry between Cruise & Diaz. As a director I don’t know if I would have put the two onscreen together simply because I would have been afraid one star would eclipse the other, but thankfully that doesn’t happen here. Even though the tale is told from June’s perspective Roy is never sidelined or forgotten, and Roy’s character never makes June’s seem less important. This is a marriage of perfect characters and actors and the film is much better for it.
As I stated, Knight and Day is a movie that makes me happy to be a Tom Cruise fan again. This film is a throw-back to adult comedies, action films and stories. It’s a good film that masquerades as a popcorn film and the best part about it is that Knight and Day is fun, and makes you want to spend another two hours at the movies just so you can see it again.
Director: James Mangold
Writer: Patrick O’Neill
Roy Miller: Tom Cruise
June Havens: Cameron Diaz
Fitzgerald: Peter Sarsgaard
Antonio: Jordi Molla
Director George: Viola Davis
Simon Feck: Paul Dano
Rodney: Marc Blucas
April Havens: Maggie Grace
June: The pilots are dead.
Miller: Yeah, they've been shot.
June: By who?
Miller: By me. No, actually, I shot the first pilot then he accidentally shot the second pilot. It's just one of those things.
June Havens accidently gets caught up in the path of government agent Roy Miller, who is trying to protect young genius Simon from a rogue agent – a rogue agent who has pegged Miller as the bad seed and has the agency tracking him, and now June, down. While June is the resistant passenger on Roy’s journey she begins to fall for Roy even though she’s never sure if his tale of conspiracy is a lie or the truth.
The reason this film works so well is because of James Mangold. This director has put to huge stars together with Cameron Diaz and Tom Cruise and yet neither outshines the other, and their chemistry is fun to watch whether they are sparring verbally with one another or being attacked.
I’ve complained a great deal about directors that can’t handle tonal shifts in their films, and Mangold deserves praise because the tonal shifts in Knight and Day are imperceptible. As a viewer you go from laughing to anticipating onscreen gunfire without ever noticing that the mood suddenly changed in the film, simply because the writer, actors and Mangold did their job well – so well it looks easy and forgettable.
This movie is built around the chemistry between Cruise & Diaz. As a director I don’t know if I would have put the two onscreen together simply because I would have been afraid one star would eclipse the other, but thankfully that doesn’t happen here. Even though the tale is told from June’s perspective Roy is never sidelined or forgotten, and Roy’s character never makes June’s seem less important. This is a marriage of perfect characters and actors and the film is much better for it.
As I stated, Knight and Day is a movie that makes me happy to be a Tom Cruise fan again. This film is a throw-back to adult comedies, action films and stories. It’s a good film that masquerades as a popcorn film and the best part about it is that Knight and Day is fun, and makes you want to spend another two hours at the movies just so you can see it again.
Director: James Mangold
Writer: Patrick O’Neill
Roy Miller: Tom Cruise
June Havens: Cameron Diaz
Fitzgerald: Peter Sarsgaard
Antonio: Jordi Molla
Director George: Viola Davis
Simon Feck: Paul Dano
Rodney: Marc Blucas
April Havens: Maggie Grace
June: The pilots are dead.
Miller: Yeah, they've been shot.
June: By who?
Miller: By me. No, actually, I shot the first pilot then he accidentally shot the second pilot. It's just one of those things.
Monday, January 4, 2010
The Holiday
I said it once and I will say it again, I like The Holiday. It’s a chick movie, but that doesn’t eliminate the fact that it’s a good movie. If I had any criticism about this movie it would have to be that I want to spend more time in the world that Iris visits in LA, and watch more of her adventures with Miles and Arthur.
I think this movie is becoming a holiday tradition for me. I actually think of The Holiday every time the Santa Ana winds blow in and annoy the heck out of me. The only think they fail to say about the winds in the film is that they turn your weather about 20 degrees warmer and suck all moisture out of the air so along with being blown around you become uncomfortable. But that’s not really important to the story is it?
Arthur Abbott is the character in The Holiday that I adore. He’s a crusty, whimsical old man that’s lived through Hollywood’s glory days and watched it all pass him by for years now until Iris comes into his life. Iris helps Arthur see himself as a viable, vibrant person again and he manages to do the same for Iris. This is a great friendship on screen and I find myself hoping that one day I will meet someone like Arthur to regale me with stories and encouragement about their past in the industry.
I enjoy this movie. It’s light hearted, funny, well acted and everything a good romantic comedy should be.
Arthur Abbott: Iris, in the movies we have leading ladies and we have the best friend. You, I can tell, are a leading lady, but for some
reason you are behaving like the best friend.
Iris: You're so right. You're supposed to be the leading lady of your own life, for god's sake! Arthur, I've been going to a therapist for three
years, and she's never explained things to me that well. That was brilliant. Brutal, but brilliant.
I think this movie is becoming a holiday tradition for me. I actually think of The Holiday every time the Santa Ana winds blow in and annoy the heck out of me. The only think they fail to say about the winds in the film is that they turn your weather about 20 degrees warmer and suck all moisture out of the air so along with being blown around you become uncomfortable. But that’s not really important to the story is it?
Arthur Abbott is the character in The Holiday that I adore. He’s a crusty, whimsical old man that’s lived through Hollywood’s glory days and watched it all pass him by for years now until Iris comes into his life. Iris helps Arthur see himself as a viable, vibrant person again and he manages to do the same for Iris. This is a great friendship on screen and I find myself hoping that one day I will meet someone like Arthur to regale me with stories and encouragement about their past in the industry.
I enjoy this movie. It’s light hearted, funny, well acted and everything a good romantic comedy should be.
Arthur Abbott: Iris, in the movies we have leading ladies and we have the best friend. You, I can tell, are a leading lady, but for some
reason you are behaving like the best friend.
Iris: You're so right. You're supposed to be the leading lady of your own life, for god's sake! Arthur, I've been going to a therapist for three
years, and she's never explained things to me that well. That was brilliant. Brutal, but brilliant.
Labels:
cameron diaz,
holiday,
Jack Black,
jude law,
kate winslet,
nancy meyers
Wednesday, November 25, 2009
The Box
Norma, Arthur and their son Walter are a happy family but like most people are strapped for cash and having trouble making ends meet. Just when Arthur discovers NASA has rejected him from the astronaut program Arlington Steward shows up on their doorstep with a box and a proposition. The box contains a button, and if Norma and Arthur push the button they will get one million dollars, but somewhere in the world, someone they don’t know will die. Desprate and unbelieving, Norma presses the button and she and Arthur are sucked into a mystery that neither one of them can understand or find their way out of.
Not surprisingly, The Box is a movie that most people won’t like. This is a morality tale and if anyone wants to be honest that means it’s a movie that can’t have the easily accomplished, cop-out ending. As a true morality tale The Box makes sure it has a lesson to impart and does so in the best way it can: just like Icarus got caught up in the moment and plummeting into tragedy, Arthur & Norma help cause the tragedy that unfolds around them and they have no one to blame but themselves.
Part of what I loved about The Box is that it’s a true Richard Kelly film – it’s a morality tale with a B-movie, science fiction slant. By setting the film around NASA in the seventies Kelly is allowed the room to play with a world that is still wary of technology, space and the mysterious “other”. Arlington Steward is a mystery instead of a search on the internet – genuine gumshoe work is required. This lends an aura of mystery to the film that is hard to accomplish in a film set in a contemporary period. Even though this mystery involves the supernatural it is one that could be easily resolved now adays as it revolves around one central figure, one who could be easily tracked on the internet or in any computerized database. I assume Kelley added this element to the short story himself as he said the concept for Norma & Arthur in the film were based around his parents.
Richard Kelly films thrill me in a way that I have talked too much about to those that know me. He makes movies that can still surprise me, movies that have visuals I want to emulate, and stories that astound me. I am sad that the mass audiences no longer have the film vocabulary to view and enjoy as Richard Kelly film, but I have to hope that the more movies he makes and the longer they pick up followings on DVD that the easier it will be for a mass audience to see and enjoy his films in the theatre.
Director & Writer: Richard Kelly
Norma: Cameron Diaz
Arthur: James Marsden
Arlington Steward: Frank Langella
Dana: Gillian Jacobs
Walter: Sam Oz Stone
Not surprisingly, The Box is a movie that most people won’t like. This is a morality tale and if anyone wants to be honest that means it’s a movie that can’t have the easily accomplished, cop-out ending. As a true morality tale The Box makes sure it has a lesson to impart and does so in the best way it can: just like Icarus got caught up in the moment and plummeting into tragedy, Arthur & Norma help cause the tragedy that unfolds around them and they have no one to blame but themselves.
Part of what I loved about The Box is that it’s a true Richard Kelly film – it’s a morality tale with a B-movie, science fiction slant. By setting the film around NASA in the seventies Kelly is allowed the room to play with a world that is still wary of technology, space and the mysterious “other”. Arlington Steward is a mystery instead of a search on the internet – genuine gumshoe work is required. This lends an aura of mystery to the film that is hard to accomplish in a film set in a contemporary period. Even though this mystery involves the supernatural it is one that could be easily resolved now adays as it revolves around one central figure, one who could be easily tracked on the internet or in any computerized database. I assume Kelley added this element to the short story himself as he said the concept for Norma & Arthur in the film were based around his parents.
Richard Kelly films thrill me in a way that I have talked too much about to those that know me. He makes movies that can still surprise me, movies that have visuals I want to emulate, and stories that astound me. I am sad that the mass audiences no longer have the film vocabulary to view and enjoy as Richard Kelly film, but I have to hope that the more movies he makes and the longer they pick up followings on DVD that the easier it will be for a mass audience to see and enjoy his films in the theatre.
Director & Writer: Richard Kelly
Norma: Cameron Diaz
Arthur: James Marsden
Arlington Steward: Frank Langella
Dana: Gillian Jacobs
Walter: Sam Oz Stone
Wednesday, December 17, 2008
The Holiday
If you know that I loathe most romantic comedies and holiday films you would be surprised to find out that I adore The Holiday. In fact, I am a little shocked that I like The Holiday as much as I do. However, I do blame this on another of my likes and dislikes – I love movies about movies and The Holiday has a main character that edits trailers, one character that is a film composer and another character that was a screenwriter in the golden age of Hollywood.
At its core The Holiday is a film about Iris and Amanda. It’s Christmas time and Iris, a columnist from England is heartbroken to discover Jasper the man that has been leading her on for two years is engaged to one of her coworkers and didn’t even have the decency to tell her before making the announcement. In the states Amanda makes movie trailers and has just dumped her boyfriend Ethan for cheating on her with his secretary. Both women are devastated and don’t want to stay home for the holidays; through chance Amanda finds that Iris has listed her home on a home exchange website and the women decided to switch houses for the holiday. Iris heads to Hollywood and meets Miles a film composer who seems to have her luck in love, and Arthur who is Amanda’s elderly neighbor and a prolific screenwriter from a Hollywood era long gone. In England Amanda meets Graham, Amanda’s brother and the two hit it off only for Amanda to discover that he is a widower with two small daughters. Both women begin complicated relationships with the men – Amanda’s romantic and Iris’s at first purely friendship with both men, at first.
I do have to say that I have nothing against the characters in England but the storyline of Iris, Miles and Arthur are my favorite part of the movie. Not only do I love the old Hollywood influence in the story but I find Iris to be the character that I can empathize with the most. I also adore Kate Winslet and Jack Black together which I didn’t think was possible. It’s an odd pairing but it’s kind of like Billy Crystal and Meg Ryan in When Harry Met Sally, once you see Billy Crystal in the role you can’t imagine anyone else playing that – I think Jack Black did that in The Holiday. I think Kate Winslet needs to be in more movies. I love watching her act.
I really think that The Holiday is just a really good film, not just a holiday film. It is able to transcend it’s categorization because it uses the time of the year as a catalyst, not as an overarching theme by which the movie is driven.
Director & Writer: Nancy Meyers
Amanda: Cameron Diaz
Iris: Kate Winslet
Graham: Jude Law
Miles: Jack Black
Arthur Abbott: Eli Wallach
Ethan: Edward Burns
Jasper: Rufus Sewell
Maggie: Shannyn Sossamon
Arthur Abbott: Iris, in the movies we have leading ladies and we have the best friend. You, I can tell, are a leading lady, but for some reason you are behaving like the best friend.
Iris: You're so right. You're supposed to be the leading lady of your own life, for god's sake! Arthur, I've been going to a therapist for three years, and she's never explained things to me that well. That was brilliant. Brutal, but brilliant.
At its core The Holiday is a film about Iris and Amanda. It’s Christmas time and Iris, a columnist from England is heartbroken to discover Jasper the man that has been leading her on for two years is engaged to one of her coworkers and didn’t even have the decency to tell her before making the announcement. In the states Amanda makes movie trailers and has just dumped her boyfriend Ethan for cheating on her with his secretary. Both women are devastated and don’t want to stay home for the holidays; through chance Amanda finds that Iris has listed her home on a home exchange website and the women decided to switch houses for the holiday. Iris heads to Hollywood and meets Miles a film composer who seems to have her luck in love, and Arthur who is Amanda’s elderly neighbor and a prolific screenwriter from a Hollywood era long gone. In England Amanda meets Graham, Amanda’s brother and the two hit it off only for Amanda to discover that he is a widower with two small daughters. Both women begin complicated relationships with the men – Amanda’s romantic and Iris’s at first purely friendship with both men, at first.
I do have to say that I have nothing against the characters in England but the storyline of Iris, Miles and Arthur are my favorite part of the movie. Not only do I love the old Hollywood influence in the story but I find Iris to be the character that I can empathize with the most. I also adore Kate Winslet and Jack Black together which I didn’t think was possible. It’s an odd pairing but it’s kind of like Billy Crystal and Meg Ryan in When Harry Met Sally, once you see Billy Crystal in the role you can’t imagine anyone else playing that – I think Jack Black did that in The Holiday. I think Kate Winslet needs to be in more movies. I love watching her act.
I really think that The Holiday is just a really good film, not just a holiday film. It is able to transcend it’s categorization because it uses the time of the year as a catalyst, not as an overarching theme by which the movie is driven.
Director & Writer: Nancy Meyers
Amanda: Cameron Diaz
Iris: Kate Winslet
Graham: Jude Law
Miles: Jack Black
Arthur Abbott: Eli Wallach
Ethan: Edward Burns
Jasper: Rufus Sewell
Maggie: Shannyn Sossamon
Arthur Abbott: Iris, in the movies we have leading ladies and we have the best friend. You, I can tell, are a leading lady, but for some reason you are behaving like the best friend.
Iris: You're so right. You're supposed to be the leading lady of your own life, for god's sake! Arthur, I've been going to a therapist for three years, and she's never explained things to me that well. That was brilliant. Brutal, but brilliant.
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