Friday, May 29, 2009
Coming Soon
I've watched all of these, but haven't had the time to review them yet. I will get them up as soon as possible. I've decided to add TV shows on here, but only when I watch the entire season at once, so True Blood: season one will be on here first and soon I'll have my thoughts on Battlestar Gallactica: season one.
Thursday, May 28, 2009
Sabrina
It is no secret that Billy Wilder is my favorite director, but I can say that of all his films Sabrina is not one of my favorites.
In the film, Sabrina Fairchild is the daughter of the chauffer to the powerful Larabee family; growing up adjacent to the Larabee house has made young Sabrina become infatuated with the youngest Larabee son, David. The problem is that David doesn’t even know Sabrina exists, he is far too caught up in chasing after the daughters of the socialites in his circle. Sabrina’s father decides the best course of action to get Sabrina over David is to send her to cooking school in Paris; while in Paris Sabrina is absolutely miserable, until she meets a friend that helps her begin to mature into the sophisticated Parisian woman she can be. Upon graduation Sabrina returns to the Larabee estate and decides to use her newfound feminine charms to win the newly engaged David. In order to keep David from ruining his engagement (and therefore the plastics deal the Larabee’s are working towards) older brother Linus does his best to occupy Sabrina’s time.
I can’t name anything large or specific that makes Sabrina mark low on my list of Billy Wilder films. One of the key elements for me is that it tonally just feels very different from all of his previous films; Sabrina was made after some of his best - Double Indemnity, The Lost Weekend, Sunset Blvd. and Ace in the Hole - and Sabrina is just borderline bland next to those.
I also have to say that I don’t know if I enjoy Humphrey Bogart in the role of Linus. Call me ageist but to me he is just too old to be playing Hepburn’s love interest. The tow also don’t seem to be performing towards each other; Hepburn is interacting with Bogart, but Bogart doesn’t seem to be responding to her.
I still enjoy this movie and think Wilder is a film god, I just think he made such astronomically great movies that this one just being “good” seems sub-par.
Director: Billy Wilder
Writer: Billy Wilder, Samuel Taylor & Ernest Lehman
Linus Larabee: Humphrey Bogart
Sabrina Fairchild: Audrey Hepburn
David Larabee: William Holden
In the film, Sabrina Fairchild is the daughter of the chauffer to the powerful Larabee family; growing up adjacent to the Larabee house has made young Sabrina become infatuated with the youngest Larabee son, David. The problem is that David doesn’t even know Sabrina exists, he is far too caught up in chasing after the daughters of the socialites in his circle. Sabrina’s father decides the best course of action to get Sabrina over David is to send her to cooking school in Paris; while in Paris Sabrina is absolutely miserable, until she meets a friend that helps her begin to mature into the sophisticated Parisian woman she can be. Upon graduation Sabrina returns to the Larabee estate and decides to use her newfound feminine charms to win the newly engaged David. In order to keep David from ruining his engagement (and therefore the plastics deal the Larabee’s are working towards) older brother Linus does his best to occupy Sabrina’s time.
I can’t name anything large or specific that makes Sabrina mark low on my list of Billy Wilder films. One of the key elements for me is that it tonally just feels very different from all of his previous films; Sabrina was made after some of his best - Double Indemnity, The Lost Weekend, Sunset Blvd. and Ace in the Hole - and Sabrina is just borderline bland next to those.
I also have to say that I don’t know if I enjoy Humphrey Bogart in the role of Linus. Call me ageist but to me he is just too old to be playing Hepburn’s love interest. The tow also don’t seem to be performing towards each other; Hepburn is interacting with Bogart, but Bogart doesn’t seem to be responding to her.
I still enjoy this movie and think Wilder is a film god, I just think he made such astronomically great movies that this one just being “good” seems sub-par.
Director: Billy Wilder
Writer: Billy Wilder, Samuel Taylor & Ernest Lehman
Linus Larabee: Humphrey Bogart
Sabrina Fairchild: Audrey Hepburn
David Larabee: William Holden
Tuesday, May 26, 2009
Terminator Salvation
Yes, yes. I saw Terminator Salvation two times in a row. What was I supposed to do? A friend wanted to go and so I went. It was fun.
I actually enjoyed seeing the film more on the second viewing and I have to day that is probably because through my entire first viewing I was constantly tense…I was waiting for the other shoe to drop. I was on pins and needles most of the film the first time because I love the first two films so much that I didn’t see any way that another installment of Terminator could add to the franchise after the disaster that was T3. Thank goodness my faith in McG paid off. I’d heard him speak so passionately about Terminator at last years Comic-Con and begun to get a sense that he of all people could make a worthy follow-up to Cameron’s visionary story. McG exceeded.
One of my favorite things in Terminator Salvation is that though the film has switched entirely to John Connor and away from Sarah we still get Sarah Connor in the film. Those that have followed the Connor’s since Terminator know that she recorded a series of tapes for John to prepare him for the future to come, the war with the machines and how he came to be. Now a grown man without his mother by his side to fight with him, John uses those tapes constantly in an effort to stay on top of the machines and the war to come.
As much as I loved McG’s vision of the future I still miss James Cameron at the helm. However, I hope that since Cameron isn’t there McG can perhaps get Linda Hamilton to reprise her iconic role if the story dictates it…
Marcus Wright: What day is it? What year?
Kyle Reese: 2018.
Marcus Wright: What happened here?
Kyle Reese: Judgment Day happened.
I actually enjoyed seeing the film more on the second viewing and I have to day that is probably because through my entire first viewing I was constantly tense…I was waiting for the other shoe to drop. I was on pins and needles most of the film the first time because I love the first two films so much that I didn’t see any way that another installment of Terminator could add to the franchise after the disaster that was T3. Thank goodness my faith in McG paid off. I’d heard him speak so passionately about Terminator at last years Comic-Con and begun to get a sense that he of all people could make a worthy follow-up to Cameron’s visionary story. McG exceeded.
One of my favorite things in Terminator Salvation is that though the film has switched entirely to John Connor and away from Sarah we still get Sarah Connor in the film. Those that have followed the Connor’s since Terminator know that she recorded a series of tapes for John to prepare him for the future to come, the war with the machines and how he came to be. Now a grown man without his mother by his side to fight with him, John uses those tapes constantly in an effort to stay on top of the machines and the war to come.
As much as I loved McG’s vision of the future I still miss James Cameron at the helm. However, I hope that since Cameron isn’t there McG can perhaps get Linda Hamilton to reprise her iconic role if the story dictates it…
Marcus Wright: What day is it? What year?
Kyle Reese: 2018.
Marcus Wright: What happened here?
Kyle Reese: Judgment Day happened.
Friday, May 22, 2009
Terminator Salvation
In Terminator Salvation we are finally in the post-Judgment Day war, but we are early in it – the resistance is still learning to fight against the machines, and the machines are still fighting against John Connor. John Connor is finally dealing with the future his mother warned him about, the one he lived his life preparing for. He thought he was prepared for it until Marcus Wright arrives and shocks John completely – Marcus is a terminator but believes he is human. I have to say that no Terminator film will ever match Cameron’s original films, but this one is a good addition to the series.
What was so great to me about Terminator Salvation is how McG has explored the mythos of Judgment Day and John Connor. By placing the audience early in the war we get to see the continued journey of how John Connor becomes the leader of the resistance. You see when we come into the movie John is not the leader. John is high in the resistance but there is a central command that does not accept him as leader. The writers and McG have explored a very simple concept of John Connor as savior; because of Sarah, John has the knowledge of the machines and the war, and knows that he is who can end it all but while a great many people accept Johns story there is another group of people that think he is what amounts to a false prophet. John has to fight for his position as leader of the resistance.
This is the first Terminator movie that has not had a plot directly related to time travel. However, as the core of the films deal with time travel it does come up in this film. The primary thing that John Connor has to deal with is not only pushing forward to beat down Skynet, but finding his father Kyle Reese. At this point in time Kyle is actually younger than John, but John must find him, protect him and shepard him into the soldier that he will send back in time to protect his mother without Kyle ever knowing that this is what is happening. And after a lifetime of growing up never knowing his father, John Connor will finally meet him.
What I am still weighing in my mind is the character of Marcus Wright. I can’t say that I disliked the character, and I think that upon further viewing I will in fact like him more, but the character was a bit odd to me. I think my only reasoning is that never before has a main character entirely taken focus off one of the Connor’s. However, his character served a great purpose in the film and was pretty dang interesting so I can’t complain. I do however wish that Kate Connor was further explored as it felt like there should have been more to her in the movie.
Terminator Salvation has gotten a lot of crap, and I have to say that most of it is probably coming from people that still won’t accept McG as a credible director. However, he seems to be on a string of well done movies, it began with We Are Marshall and if it continues past Terminator Salvation I’d say I can safely call McG a dang good director. I’d take him over Michael Bay any day.
Director: McG
Writers: John D. Brancato & Michael Ferris
John Connor: Christian Bale
Marcus Wright: Sam Worthington
Blair Williams: Moon Bloodgood
Dr. Serena Kogan: Helena Bonham Carter
Kyle Reese: Anton Yelchin
Kate Connor: Bryce Dallas Howard
General Ashdown: Michael Ironside
John Connor: We've been fighting a long time. We are out numbered by machines. Working around the clock,without quit. Humans have a strength that cannot be measured. This is John Connor. If you are listening to this,you are the resistance.
What was so great to me about Terminator Salvation is how McG has explored the mythos of Judgment Day and John Connor. By placing the audience early in the war we get to see the continued journey of how John Connor becomes the leader of the resistance. You see when we come into the movie John is not the leader. John is high in the resistance but there is a central command that does not accept him as leader. The writers and McG have explored a very simple concept of John Connor as savior; because of Sarah, John has the knowledge of the machines and the war, and knows that he is who can end it all but while a great many people accept Johns story there is another group of people that think he is what amounts to a false prophet. John has to fight for his position as leader of the resistance.
This is the first Terminator movie that has not had a plot directly related to time travel. However, as the core of the films deal with time travel it does come up in this film. The primary thing that John Connor has to deal with is not only pushing forward to beat down Skynet, but finding his father Kyle Reese. At this point in time Kyle is actually younger than John, but John must find him, protect him and shepard him into the soldier that he will send back in time to protect his mother without Kyle ever knowing that this is what is happening. And after a lifetime of growing up never knowing his father, John Connor will finally meet him.
What I am still weighing in my mind is the character of Marcus Wright. I can’t say that I disliked the character, and I think that upon further viewing I will in fact like him more, but the character was a bit odd to me. I think my only reasoning is that never before has a main character entirely taken focus off one of the Connor’s. However, his character served a great purpose in the film and was pretty dang interesting so I can’t complain. I do however wish that Kate Connor was further explored as it felt like there should have been more to her in the movie.
Terminator Salvation has gotten a lot of crap, and I have to say that most of it is probably coming from people that still won’t accept McG as a credible director. However, he seems to be on a string of well done movies, it began with We Are Marshall and if it continues past Terminator Salvation I’d say I can safely call McG a dang good director. I’d take him over Michael Bay any day.
Director: McG
Writers: John D. Brancato & Michael Ferris
John Connor: Christian Bale
Marcus Wright: Sam Worthington
Blair Williams: Moon Bloodgood
Dr. Serena Kogan: Helena Bonham Carter
Kyle Reese: Anton Yelchin
Kate Connor: Bryce Dallas Howard
General Ashdown: Michael Ironside
John Connor: We've been fighting a long time. We are out numbered by machines. Working around the clock,without quit. Humans have a strength that cannot be measured. This is John Connor. If you are listening to this,you are the resistance.
Superman Doomsday
Superman Doomsday is the straight to DVD release, animated adaptation of the Death of Superman series that made waves in the 1990’s in the DC universe. In it slowly, painfully Superman takes on an alien being who has been unleashed on Metroplois and Superman takes him on. He manages to defeat Doomsday, but in the process he is killed. The following weeks the world had to deal with the fact that their super man had died and how to cope.
While Superman Doomsday is an adequate representation of the comic book story arch, like all Superman projects to make it to film it is deeply flawed, and it’s flawed in ways that are entirely artificial – they weren’t in the comic book.
First, Lois is dating Superman. That’s right, not Clark Kent, but Superman. BY the time Doomsday rolled around Lois and Clark were engaged. The writers of the animated film wrote themselves into a corner – everyone knows Lois has a thing for Superman, by dati ng him and not Clark he has opened Lois up as a target and painted a huge red arrow over Clark’s head if he reveals his identity to her and they begin to date.
They don’t cover at all that the citizens of Metropolis take on the protection of the city themselves. Several upstanding people decide to try and make themselves like Supes. Even Brainiac gets in on the action. In Superman Doomsday only Lex counters by creating a Superman clone. However, this animated production does a lot better job than Smallville of handling Doomsday…and Superman in general.
Superman Doomsday is not a bad Superman project. However, if you are familiar with the Superman universe in the comics it may not be what you are looking for.
Superman: Adam Baldwin
Lois Lane: Anne heche
Lex Luthor: James Marsters
Martha Kent: Swoosie Kurtz
Grumpy Man: Yeah, like we really needed him to bust up the mechanical spider, right? Lame!
While Superman Doomsday is an adequate representation of the comic book story arch, like all Superman projects to make it to film it is deeply flawed, and it’s flawed in ways that are entirely artificial – they weren’t in the comic book.
First, Lois is dating Superman. That’s right, not Clark Kent, but Superman. BY the time Doomsday rolled around Lois and Clark were engaged. The writers of the animated film wrote themselves into a corner – everyone knows Lois has a thing for Superman, by dati ng him and not Clark he has opened Lois up as a target and painted a huge red arrow over Clark’s head if he reveals his identity to her and they begin to date.
They don’t cover at all that the citizens of Metropolis take on the protection of the city themselves. Several upstanding people decide to try and make themselves like Supes. Even Brainiac gets in on the action. In Superman Doomsday only Lex counters by creating a Superman clone. However, this animated production does a lot better job than Smallville of handling Doomsday…and Superman in general.
Superman Doomsday is not a bad Superman project. However, if you are familiar with the Superman universe in the comics it may not be what you are looking for.
Superman: Adam Baldwin
Lois Lane: Anne heche
Lex Luthor: James Marsters
Martha Kent: Swoosie Kurtz
Grumpy Man: Yeah, like we really needed him to bust up the mechanical spider, right? Lame!
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