Showing posts with label bill pullman. Show all posts
Showing posts with label bill pullman. Show all posts

Friday, December 17, 2010

While You Were Sleeping

I’ve no idea why I love While You Were Sleeping so much except for the fact that it almost feels like a twist on Cinderella. The big difference in this story is that while the princess is pining over the sleeping prince, she realizes she’s in love with the prince’s brother. So maybe it’s a fairy tale that’s the product of the women’s lib movement…think about that one for awhile.

I’m pretty sure that I’ve blogged on this one a few times, so I’ll leave you with that.

Wednesday, December 16, 2009

Bottle Shock

Bottle Shock is one of my little gems from 2008. I adore this movie and pretty much any time I watch it I get happier. I know that the story is fictionalized but this is one of the best underdog stories I’ve seen on film and I’m still shocked as a American, a Californian especially that I hadn’t heard about this victory over France until it was made into a movie.

What I love about Bottle Shock is that it managed to be a film that is well crafted in all senses of the word. It’s an interesting story, a well written script, the cast and performances are impeccable, the production design & cinematography are beautiful – this is a film that is obviously crafted by a director and producers that have a passion for this story and this art and want to make sure they put the best possible story they can on screen. I get the impression that this is the kind of team I would want behind one of my movies, and that the experience would be a great one.

If you haven’t seen Bottle Shock I suggest that you grab a bottle of your favorite wine, invite a few friends over, pop in the DVD and enjoy what awaits you.

Maurice: Where I'm from, they call it a left-handed compliment. They don't have a name for it in England: it's too ingrained in their culture.

Thursday, July 16, 2009

Bottle Shock

My brother watched Bottle Shock after much prodding from me and loved it so much that he couldn’t stop talking about it. As such it made me itch to watch it again, but I know I’ve watched it too much lately. So I compromised – I watched it with commentary.

First of all, the commentary on Bottle Shock is amazing because it has the director and writers on it, Chris Pine, Bill Pullman and Eliza Dushku – the most important people to the film are all on there in one commentary track. That proves a lot, it proves they all liked the film enough to want to continue sharing it, and that they group got along well enough that they enjoyed their creative partnership.

What was fascinating about the commentary was learning how they had to grind down and make the decisions to get the movie made and how they had to deal with the living people this story is based on. What was most important to the filmmakers seems to be not just the Paris tasting itself, but getting the personalities and relationships of these characters captured accurately on screen. They may have changed situations and minor events for the purposes of making the story translate well to film, but they wanted to preserve the essence of the people just like someone adapting a book or play to film.

Bottle Shock fascinates me on every level. I hope that someday I can have just as great a reception to one of my films as Randall Miller and co. had to Bottle Shock. This film premiered to a standing ovation.

Jim: A comfortable grape, a well watered, well fertilized grape grows into an easy ingredient of a lousy wine.

Monday, June 29, 2009

Bottle Shock

I enjoyed Bottle Shock so much I went out and bought it so I could enjoy it for a second time. I really did not expect to enjoy this movie as much as I did.

Watching the movie again I have to give credit to the actors, this is a movie that has a great cast supporting it and is a textbook example of how a good script turns into a highly enjoyable movie when given to a capable director and a talented cast. There is not one performance in this film that bothers me in the slightest – even in the bit parts. I watch Bottle Shock and believe that these characters could physically and emotionally exist in the time period in which the movie is set.

Also, I must give credit to Randall Miller. The setting of Bottle Shock is spectacular and beautiful and instead of letting this overrun the films visuals. I would love to find out if any of the film was shot in sets or if it was entirely on location because this is a Napa that I want to visit badly and I am not an outdoors kind of person.

I will be watching this movie again before too long because it’s the kind of film that is infectious. Watching it puts you in a good mood, makes you root for the underdog and cheer at any victory no matter how small. Bottle Shock is definitely an accomplishment.

Bo Barrett: It wasn't always like this. Before Paris, people didn't drink our wine. I mean, my friends did. But you could hardly consider their palates discerning... Hell, we were farmers... sort of...

Thursday, June 11, 2009

Bottle Shock

In 1976 California vineyards weren’t taken too seriously much to the chagrin of winemakers like Jim and Bo Barrett at Chateau Montelena in the Napa Valley. In Paris, wine store owner Steven Spurrier’s business is failing due to the snobbery of French wine elite and the British-born Spurrier decides to convince the French wine academy to hold a blind tasting between French and California wines in order to bolster his business and improve his reputation. However, once Spurrier arrives in California to select the wines for competition he not only has to deal with the distrust of the local vineyards but somehow process the fact that these California wines are much better than he expected them to be.

Honestly, I knew nothing about Bottle Shock going in besides it made it into Sundance a year or two ago, and starred Chris Pine. I netflixed it because I was interested in seeing Chris Pine outside of Star Trek and Princess Diaries 2. I loved this movie. I have wanted to watch it a second time ever since I resealed the Netflix envelope.

Perhaps what surprised me is that the film is funny. I would not be surprised if it turns out that 90% of Bottle Shock is fiction but it’s so well written and about a unique enough event that I don’t care. Bottle Shock is a well made dramedy that mixes a lot of storylines together to complete one meaningful, thought out film that had a lot less attention than it deserved. The cast in the film is superb, made of mostly unknowns at the time and added some credibility with the talents of Bill Pullman, Alan Rickman & a bit part by Dennis Farina.

It was a bit startling to watch Chris Pine, now known as the rebellious but clean cut Capt. Kirk as a long haired, lazy, hippie. Pine and Pullman play the main roles as father and son and manage to have a very good chemistry together and are a good representation of father and son. Bottle Shock is a period piece even if it isn’t set too many centuries back, and director Randall Miller managed to encapsulate the generational disparities very well using Jim (Pullman) and Bo (Pine) to show this most profoundly and in a very relatable way.

I have to compliment Miller on Bottle Shock. Call me a bad Californian, a bad American, or just too young but I never knew about the Judgment in Paris before this film; I don’t think I would have cared if I had read about it in a text book or on the back of a wine bottle. However, Bottle Shock is a dang entertaining and well made film that has me desiring to find a bottle of the Cheateau Montelena chardonnay, learn more about wine, and visit the Napa Valley. I think that’s probably an earmark of a good film.

Director: Randall Miller
Writers: Jody Savin, Randall Miller & Ross Schwartz
Bo Barrett: Chris Pine
Steven Spurrier: Alan Rickman
Jim Barrett: Bill Pullman
Sam: Rachel Taylor
Gustavo Brambila: Freddy Rodriguez
Maurice: Dennis Farina
Joe: Eliza Dushku

Jim Barrett: Why don't I like you?
Steven Spurrier: Because you think I'm an arsehole. And I'm not, really. I'm just British and, well... you're not.

Monday, April 6, 2009

Newsies

In the early 20th century the labor unions began to take over and there was a publishing war between the newspaper barons, and when the newpapers decide to make up some of their profits by taking money away from the already struggling newsies the kids get inspired and decide to fight back.

Newsies is a fan favorite, uplifting, musical starring a very young Christian Bale in the main role. In concept this film is quite odd – teens being forced to work before child labor laws were in place, newspaper barons, trolley strikes, fancy foot work and show tunes; yet, Newsies works because it completely commits to what it is and never flounders for a second.

While Newsies is silly at points, and definitely hurries some plot points along like any show stopping musical, it is full of a great set of characters that make the film memorable, and songs that drive the point home without being stuck in your head for days afterward.

What is perhaps most jarring to me about Newsies is the realization that Christian Bale’s early career was more than just Empire of the Sun - Bale was a full fledged child actor that has managed to morph into one of the biggest stars today. I can only hope that Bale will continue acting for many years to come so that the audience can continue to watch his progress through the silver screen and see what Bale will be like when he is the next Sean Connery.

Director: Kenny Ortega
Writers: Bob Tzudiker & Noni White
Jack Kelly: Christian Bale
David Jacobs: David Moscow
Denton: Bill Pullman
Pulitzer: Robert Duvall

Jack Kelly: You only took 20 papes; why?
David Jacobs: It's a bad headline.
Jack Kelly: Well, dat's da foist thing ya gotta learn - headlines don't sell papes. Newsies sell papes.

Thursday, December 4, 2008

While You Were Sleeping

While You Were Sleeping is a silly little movie but I love it. I think it’s a great combination of holiday movie, romantic and screwball comedies. In a way it reminds me of the cute, light comedies of Hollywood’s golden age and I make sure to watch the movie at least once every holiday season.

If you’ve never seen While You Were Sleeping the plot can be quite confusing on paper. Lucy works at the L and sees Jack every day when he commutes to work. On Christmas Day he is mugged and thrown on the train tracks unconscious, Lucy saves him from an incoming train and accompanies him to the hospital and he lapses into a coma; at the hospital a nurse makes the mistake of thinking she is Peter’s fiancée and informs Peter’s family of such. Having grown distant from Peter his family goes along with the assumption and welcomes Lucy into open arms giving Lucy a family for the first time in years, the only problem is though Peter is Lucy’s dream man his brother Jack is the man that Lucy is finding herself drawn to and she can’t do anything about it as she is supposedly Peter’s fiancée.

What I love most about this movie is Peter’s grandmother Elsie; the woman is opinionated, senile and quirky to the T. Elsie has some of the best lines in the film not only based on her delivery of these lines but on how she is randomly inserted into conversations with no idea what people are talking about. It really is just like that relative we all have that feels the need to be in everybody’s business. The fact that Glynis Johns who plays Elsie was also Mrs. Banks in Mary Poppins is another great bonus.

This film is airy and light but it is everything it advertises to be. Unlike the popcorn fluff that usually gets made now a days there is actually enough wit and grace to this film that it is safe for the whole family and can be enjoyed on multiple viewings.

Director: Jon Turteltaub
Writers: Daniel G. Sullivan & Fredric LeBow
Lucy Eleanor Moderatz: Sandra Bullock
Jack Callaghan: Bill Pullman
Peter Callaghan: Peter Gallagher
Ox Callaghan: Peter Boyle
Midge Callaghan: Micole Mercurio
Mary Callaghan: Monica Keena
Saul: Jack Warden
Elsie: Glynis Johns
Joe Fusco, Jr.: Michael Rispoli
Ashley Bartlett Bacon: Ally Walker
Jerry: Jason Bernard

Lucy: If I tell Jack I lied to his family he will *never* speak to me again. And Ox and Midge and Mary and Saul.
Jerry: Saul? Who's Saul?
Lucy: The next door neighbor. But you know what? Actually, he knows.
Jerry: Lucy, you are born into a family. You do not join them like you do the marines.
Lucy: So what should I do?
Jerry: Pull the plug.
Lucy: You're sick.
Jerry: I'm sick? You're cheating on a vegetable.