Manic

I will admit that I went into Manic only because I’m trying to fill in the gaps I have in the filmography of Joseph Gordon-Levitt. Joseph Gordon-Levitt plays Lyle, a misfit teen who is sent to a junivile mental health institution after he beats another teen with a baseball bat. It is there that he meets a group of other angry, abused teens who have the same issues he does and is faced with a choice – learn to deal with your past or let it control your future. Despite the obvious Cuckoo’s Nest overtones, and general bleakness of the subject matter I quite enjoyed Manic, this is due in large part to the caliber of the acting talent in this film.

Manic was made before Zooey Deschanel or Joseph Gordon-Levitt were stars, so the big name in this movie at the time was Don Cheedle and rightly so – this is a performance that Cheedle hits out of the park. Cheedle plays shrink to the teenagers at the facility and his constant battle with himself at the teens mental state and attitude is captivating; at points I forgot I was watching Cheedle and began to think of him as Dr. Moore. This role could not have been an easy one, as the character is placed in the difficult position of having a natural state of pity for the events that caused these teens to become who they are, and facing the reality that they are still dangerous, damaged individuals.

Gordon-Levitt plays the main character in this piece, and watching him do his thing is pretty fascinating as well as Lyle expresses himself and his anger at life in largely non-verbal ways. While Lyle may scream, hit things, and do other attention getting stunts, more often than not Lyle speaks few words and says volumes with his actions. Gordon-Levitt seems to be acting right down to his very bones.

I have to give props to director Jordan Melamed. To get performances like these out of actors, even the great actors he has here, takes a talented hand. Without the guidance of a good director these performaces could stand alone as the only memorable points of this tale, but instead they blend beautifully into a larger picture and create a cohesive character piece. I’d love to see Melamed direct again.




Director: Jordan Melamed

500 Days of Summer

500 Days of Summer. I am slightly obsessed with this movie. Not because I’m some girlie girl who wants to marry a Tom or Joseph Gordon-Levitt. Not because I think it’s funny.

I am obsessed with this movie because it’s so artistically original that I want to pick the brains of the filmmakers and see how this entire project sprang to being frame by frame.

It’s beautiful. It’s original. It’s the best “romantic comedy” since When Harry Met Sally.




Rachel Hansen: Just because she likes the same bizzaro crap you do doesn't mean she's your soul mate.

(500) Days of Summer

(500) Days of Summer
Originally uploaded by swingcopate

Let me start by saying I totally didn’t mean to watch all of (500) Days of Summer again. Really. I didn’t. It’s just that the movie kind of draws you in. You see, I wanted to reference something from the opening of the film, so I popped it in, watched what I needed and started to work on something else while it will still playing and the next thing I knew I was multi-tasking: watching (500) Days of Summer and working. I fully intended to stop the film and put in another movie on my list and suddenly I was more than half-way through the film and you can’t just stop the movie after you’ve invested all that time. You just can’t.

Marc Webb. What have you done to me?

Tom: Did you ever do this, you think back on all the times you've had with someone and you just replay it in your head over and over again and you look for those first signs of trouble?

500 Days of Summer

500 Days of Summer
Originally uploaded by Profound Whatever

500 Days of Summer might be one of the most unique romantic films since When Harry Met Sally. Instead of being a story about boy meets girl and they live happily ever after, you find out moments into the film that this is the story of boy meets girl, but boy lost girl. As main character Tom wallows in his break-up from Summer the film jumps around the days in their relationship, exploring the good and the bad working its way until Tom makes peace with the relationship he had and lost.

As someone that’s used a time device to tell a story let me say first that making a non-linear film is hard. Trying to find a device that the audience will understand and stil be able to create a flow and development for the characters is tough – Marc Webb does an excellent job of jumping through time with 500 Days of Summer and never losing Tom and the core of who he is. Of course, as much as this is a compliment to the screenplay and direction, kudos must also be given to Joseph Gordon-Levitt who plays Tom.

Gordon-Levitt is a new entry onto the list of actors I adore and want to work with. He’s always been hovering around that list, but I’ve rewatched a few of his films lately and they have firmly planted him on my list. Gordon-Levitt has a way about his craft that throws him in with the greats; he melts into his characters so that you can’t distinguish the acting from the actor – he becomes the character in a way that makes you as a viewer expect that’s who he is in real life, no matter if he’s playing a former whiz kid with a memory issues (The Lookout) or lovelorn Tom (500 Days of Sumemr). The bottom line is that this guy can act and luckily for those of us that have been watching him since Third Rock from the Sun we’ve gotten to be a part of his journey into being a new Hollywood player.

What sells 500 Days of Summer as a quirky romance-drama-comedy is the fact that together the cast and Marc Webb are able to take on every tonal shift throughout the film without missing a beat, making each of them feel as real and genuine as the what comes before and after them. While I feel this film firmly has it’s tonal feet planted in reality, I would have to say that my favorite scene is the one that follows the first time Tom spends the night with Summer. If you haven’t seen the film the scene involves a blissful Tom walking through the city, getting cheered on by the reflection of Han Solo, cartoon birds landing on his shoulder and a full on musical/dance sequence in the park. This doesn’t seem possible when I’ve described the film as being planted in reality does it? You’re going to have to trust me on this one, as Gordon-Levitt & Webb have found the core of Tom’s character the scene works because it’s a world that Tom has created around him, and it’s the reason he falls so hard.

My Netflix queue is filling up as we speak with more of Gordon-Levitt’s films, so be prepared for what’s to come. I am fascinated with Gordon-Levitt and if the last few films of his are any indication of his body of work, there are going to be more positive reviews in the future of this blog – and he’s going to climb higher on my casting dream list.

Director: Marc Webb
Writers: Scott Neustadter & Michael Weber
Tom Hansen: Joseph Gordon-Levitt
Summer Finn: Zooey Deschanel
McKenzie: Geoffrey Arend
Rachel Hansen: Chloe Moretz
Paul: Matthew Gray Gubler
Vance: Clark Gregg

Tom: What happens when you fall in love?
Summer: You believe in that?
Tom: It's love, it's not Santa Claus.