The Family Stone

Meredith Morton & Everett Stone are a socialite couple in Manhattan, but when Everett takes Meredith home for Christmas she clashes with his family so badly that Meredith refuses to stay at the house and calls her sister Julie in to help her out. While Everett tries to convince his mother to give him his grandmothers engagement ring so he can propose to Meredith the rest of the family becomes more and more sure that Everett & Meredith should not get married.

The Family Stone is a film I really wanted to see because of the cast. There are great actors littered throughout this film and all of them are actors that I enjoy greatly. However, I was very disappointed in The Family Stone.

While watching The Family Stone I got the impression that the film thought it was a quirky comedy with a slightly dark underlining. However, I almost didn’t get through more than half an hour of The Family Stone because the film is downright angry and depressing. These characters are really horrible people. Without any explanation more than one or two lines of dialogue you find out one character dislikes Meredith and the rest of the Stone family (who has never met her) immediately begins to hate on her. After about half a movie of being a really boring person Meredith turns out to be downright insulting and continues to say really horrible things to members of the family or scream at people. Not a single character in this film is developed or likeable. The only reason I watched the entire film is because I felt the need to see if possible the ending redeemed the film. It doesn’t.

The ending of the film is almost worse than the rest of the film. It’s a complete and total cop out. Again the writing and direction leave much to be desired. Rather than finding a way to motivate all of our characters into their conclusion a few lines of dialogue are delivered about couples breaking up, other couples share longing looks and then we flash to the next Christmas where all the issues are magically resolved and we’re never told how or why.

No family real or fictional can solve the kind of problems the Stone family had that Christmas in the course of twelve months. It’s just not possible, especially after the rest of the film built up nothing but an intense hatred for Meredith.

I know I’ve probably insulted a ton of people that absolutely adore this holiday movie and think I’m completely wrong in my analysis. To those I say this: can you tell me why these characters deserved an hour and half of my time?

Director & Writer: Thomas Bezucha
Julie Morton: Claire Danes
Sybil Stone: Diane Keaton
Amy Stone: Rachel McAdams
Everett Stone: Dermot Mulroney
Kelly Stone: Craig T. Nelson
Meredith Morton: Sarah Jessica Parker
Ben Stone: Luke Wilson
Thad Stone: Tyrone Giordano
Patrick Thomas: Brian J. White
Susannah Stone Trousdale: Elizabeth Reaser

Meredith: What's so great about you guys?
Sybil: Uh, nothing... it's just that we're all that we've got.

Little Women

The story of Little Women has been told for generations about the March family, husband and wife blessed with four daughters as different as can be: Meg the perfect Victorian beauty, Jo the imaginative tom boy, Beth the sickly sister with a giant heart, and Amy the youngest sister who desires wealth and society. The four sisters grow up, meet men and their lives and relationships change forever both by their actions and the changing climates around them.

The sad part is I only have one hang-up with the story of Little Women both in regards to the book and the movie. It infuriates and mystifies me that Jo rejects Laurie when he proposes marriage to her; even before I was a Bale fan this act confused me. To this day I don’t understand why Jo does this when the two characters are so perfect for each other from a narrative stand point. This is the only point where I have to stand back and realize that in the end Little Women is a novel loosely based on Louisa May Alcott’s own life – so I guess she rejected the real life Laurie too.

I really appreciate the subtle hand Gillian Armstrong uses in her treatment of Little Women. Armstrong has an eye for the rhythm of Victorian life in a way that most directors might not, and I have to imagine that being a woman gave Armstrong an extra ability to empathize with the titular women and really be able to delve into the trials and joys of their lives without seeming to demean or cheapen them.

Eventually, I will have to do what I’ve never been able to do and read the novel that this movie is based on…and track the ancient film version down where the actresses are actually wearing hoop skirts and clothing strange to the era.

Director: Gillian Armstrong
Writer: Robin Swicord
Jo March: Winona Ryder
Friedrich Bhaer: Gabriel Byrne
Meg March: Trini Alvarado
Older Amy March: Samantha Mathis
Younger Amy March: Kirsten Dunst
Beth March: Claire Danes
Laurie: Christian Bale
John Brooke: Eric Stoltz
”Marmee” March: Susan Sarandon

Amy: Do you love Laurie more than you love me?
Jo: Don't be silly! I could never love anyone more than I love my sisters.

Home for the Holidays

I remember reading reviews for Home for the Holidays that were pretty lack luster, admonishing the film for being too cynical & in bad taste, but in 1995 when the film came out I did not have a knowledge of film, or criticism that would have allowed me a desire to see the film or rebuff the critics. However, now that I have seen Home for the Holidays I can say that I can and will rebuke the critics of this film, especially the ones that call it too cynical and dark, one reviewer even chastised the film for being cynical and dark without meaning too be. Home for the Holidays is a cynical, darkly comedic film about what happens when you as an adult get together with your family for a holiday – the darkness and the cynicism is intended to underscore the fact that these individuals you grew up with can become complete and total strangers to you, or perhaps always were but only time & distance can bring this out in your relationship. However, what most of the critics ignored is the underlying bond and love that is the ultimate point woven into this film by director Jodie Foster.

Home for the Holidays has the most basic plot you can imagine. Claudia Larson is having a terrible week, she was just fired from her job restoring art because they lost their funding, she “accidently” made out with her boss, her daughter Kitt just dropped on her that she plans to lose her virginity and on top of that she has to go home to visit her parents for Thanksgiving without her daughter or her little brother Tommy there to help her. Distraught Claudia calls Tommy and leaves a tearful message on his machine wishing him and his partner Jack a happy Thanksgiving but unthinkingly telling him she really needs him at her parents house this year. Claudia arrives home to the exact awkwardness she expects from her too affectionate/observant parents and is surprised in the middle of the night when Tommy arrives to spend Thanksgiving with the family claiming he never got Claudia’s message, and bringing not Jack but co-worker Leo Fish in tow. The holiday unfolds with Tommy being his wacky self, their prim sister Joanne obsessing over everything and insulting Tommy at every turn, and senile aunt Gladys bringing up the past.

In an odd way I liked Home for the Holidays because the relationship between Claudia and Tommy reminds me of what I think the relationship between my little brother and I is like. If one or the other of us were in a situation where we genuinely needed the other person to be there we would do it – and this is Tommy and Claudia. Of all the members of the Larson family these are the two that love each other as unconditionally as everyone says you are supposed to love your family and it shows in their relationship. Both Tommy and Claudia are there for one another whenever the other needs them and defend each other from the craziness of the rest of the family. As much as we all love our families most of us know that our family members are also the people that can hurt us the most because they know us so well.

Claudia is falling apart because so much has happened to her in such a short, stressful period of time and the one she reaches out to is Tommy. Her well meaning family does nothing but make her feel worse until Tommy arrives. Tommy resists telling her at first that he came home because he got her message, but through a series of events it is revealed that Tommy not only got Claudia’s message but decided to leave Jack and their friends for Thanksgiving to be there for Claudia knowing that it was not going to be a pleasant experience for him to spend the time with his family. Without thought for himself Tommy came to Claudia to be the buffer that she needed him to be.

Tommy himself is very similar to Claudia but his greatest trait within the family is his over exuberance in any situation, Tommy does not blend in nor does he want to and he always puts on a brave face, something only Claudia can see through. Though it is alluded to for awhile that their sister Joanne does not like Tommy it seems that her distaste only stems from the fact that Tommy is loud & boisterous and she is all about being neat and orderly. However, an accident occurs at the Thanksgiving table & Joanne releases her full fury on her brother revealing that her true distaste for him stems from his lifestyle not his wacky behavior. Though Tommy claims none of this bothers him, later alone in the kitchen where Claudia & Tommy finish their Thanksgiving dinner the brother and sister share an embrace that gets to the real soul of their relationship.

I think that Home for the Holidays was not necessarily well received because the audience does not want a holiday movie that is going to point out the flaws of the holiday or of our families, but they want a holiday movie that is going to be light, sweet and fluffy – but that is not what Home for the Holidays is and it shouldn’t be judged by the same scale. This movie is not Miracle on 34th Street and should not be entered with such a mindset. However, as with some of the more off beat, dramatic American films I do get the feeling that if this film wasn’t an American film but instead something from another country Home for the Holidays would be lauded as a fresh look at the reality of American holidays but instead the critics didn’t know what to think of it.

Director: Jodie Foster
Writer: W.D. Richter
Claudia Larson: Holly Hunter
Tommy Larson: Robert Downey Jr.
Adele Larson: Anne Bancroft
Henry Larson: Charles Durning
Leo Fish: Dylan McDermott
Aunt Gladys: Geraldine Chaplin
Walter Wedman: Steve Guttenberg
Joanne Larson Wedman: Cynthia Stevenson
Kitt Larson: Claire Danes

Claudia: You don't know the first thing about me.
Joanne: Likewise, I'm sure. If I just met you on the street... if you gave me your phone number... I'd throw it away.
Claudia: Well, we don't have to like each other, Jo. We're family.