Sherlock Holmes

My mother and I have a tradition. Every Super Bowl Sunday she and I do what we can to avoid the big game and that usually involves a movie. This year that movie was Sherlock Holmes; even though I’ve already seen it I put up no protest – a Robert Downey Jr. film that I love? Don’t you think it must be so hard to get me to that.

On second viewing I still love Sherlock Holmes. The fact that Guy Ritchie and crew could take the great detective, keep his essence and world intact and somehow make it exciting and vibrant on screen is astounding. Sherlock Holmes has been a lot of things, but he’s rarely been exciting when put on the silver screen. Holmes himself is a character that is always in his head, thinking steps ahead of the other players, and when put on screen in everything I can think of prior that makes for a film that is intellectual with a good mystery, but suspense, excitement and the threat in Holmes world never makes it to screen.

I have to give props to Rachel McAdams as well. This is an actress that I adore and isn’t in nearly enough movies; however, since she is so selective she tends to make really damn good movies and Sherlock Holmes is no exception. What becomes truly astounding about her character in Holmes is that of everyone on screen (from the books) her character is one that had the least source material to work with. Irene Adler is only in one short story, very briefly and somehow the writers and McAdams formed Adler into a fully formed, well rounded character that belonged in the majority of the film second only to Watson.

I’ve heard plenty of people say they are unwilling to see Sherlock Holmes because it looks like all action and no story. To those people I say to not just a film by it’s trailer and go and make a judgment from the actual film. You might be surprised by what you find.

Inspector Lestrade: In another life, Mr. Holmes, you would have made a excellent criminal.
Sherlock Holmes: Yes, and you an excellent policeman.

Sherlock Holmes

Sherlock Holmes
Originally uploaded by edieamber

I was excited and confused when I found out Guy Ritchie would be doing a Sherlock Holmes film. I was even more excited once I realized that Robert Downey Jr. would play Holmes. However, despite my excitement I still remained slightly doubtful; while Sherlock Holmes is a very interesting character I didn’t understand how he could fit Ritchie’s style or how exactly it would be a more entertaining film than the past Holmes films, yet still have that core being we all know to be Sherlock. I am here to tell you that Sherlock Holmes was an amazing film.

Somehow Ritchie did what I thought might be impossible, he married his very modern style to a period piece. This blend of classic literature and modern Ritchie gives Holmes the edge that was always under the surface of the character and makes the carriages, waistcoats and constables relatable to a modern audience. Sherlock is a character not a part of his time or the society around him so Ritchie adding his stylized flair to the film is a perfect match.

I know some people that were doubtful that this modern, cheeky Holmes would be at all accurate to the Holmes they remember from the novels. To those that say this I challenge you to reread a Holmes story after seeing the film. Holmes has always been a willing outcast and rebel; he’s bored by convention, doesn’t like society and would prefer to drink, experiment and leer at those below him. Holmes is not neat and tidy; his intellect renders the world around him dull and lifeless and the only escape he has is to solve mysteries. If Holmes doesn’t have a mystery to solve he goes into a state of isolation and depression – just as he did in the books.

The absolute pitch-perfect element in the middle of an already entertaining movie is Downey as Holmes and Jude Law as Watson. These two have fantastic chemistry playing off each and every twitch, sigh or smirk of the other person. The movie is alone worth watching for those two sharing screen time. It’s beyond entertaining to watch Watson try to back out of Holmes’ world out of a sense of duty while Holmes knows just what carrots to drop casually that have Watson eagerly running back into the fray, even though he thinks he doesn’t want to. Law and Downey might be my favorite pairing on screen this year.

I hope that you take the time to go see Sherlock Holmes while it is on the big screen. Not only is the film one of the most entertaining things you would do with your holiday, but now that Guy Ritchie is climbing back to the top of his game it is more than worth applauding.

Director: Guy Ritchie
Writers: Michael Robert Johnson, Anthony Peckham & Simon Kinberg
Sherlock Holmes: Robert Downey Jr.
Dr. Watson: Jude Law
Irene Adler: Rachel McAdams
Lord Blackwood: Mark Strong

Holmes: You've never complained about my methods before.
Watson: I've never complained! When have I ever complained about you practicing the violin at three in the morning, or your
mess? Your general lack of hygiene or the fact that you steal my clothes?

The Family Stone

Meredith Morton & Everett Stone are a socialite couple in Manhattan, but when Everett takes Meredith home for Christmas she clashes with his family so badly that Meredith refuses to stay at the house and calls her sister Julie in to help her out. While Everett tries to convince his mother to give him his grandmothers engagement ring so he can propose to Meredith the rest of the family becomes more and more sure that Everett & Meredith should not get married.

The Family Stone is a film I really wanted to see because of the cast. There are great actors littered throughout this film and all of them are actors that I enjoy greatly. However, I was very disappointed in The Family Stone.

While watching The Family Stone I got the impression that the film thought it was a quirky comedy with a slightly dark underlining. However, I almost didn’t get through more than half an hour of The Family Stone because the film is downright angry and depressing. These characters are really horrible people. Without any explanation more than one or two lines of dialogue you find out one character dislikes Meredith and the rest of the Stone family (who has never met her) immediately begins to hate on her. After about half a movie of being a really boring person Meredith turns out to be downright insulting and continues to say really horrible things to members of the family or scream at people. Not a single character in this film is developed or likeable. The only reason I watched the entire film is because I felt the need to see if possible the ending redeemed the film. It doesn’t.

The ending of the film is almost worse than the rest of the film. It’s a complete and total cop out. Again the writing and direction leave much to be desired. Rather than finding a way to motivate all of our characters into their conclusion a few lines of dialogue are delivered about couples breaking up, other couples share longing looks and then we flash to the next Christmas where all the issues are magically resolved and we’re never told how or why.

No family real or fictional can solve the kind of problems the Stone family had that Christmas in the course of twelve months. It’s just not possible, especially after the rest of the film built up nothing but an intense hatred for Meredith.

I know I’ve probably insulted a ton of people that absolutely adore this holiday movie and think I’m completely wrong in my analysis. To those I say this: can you tell me why these characters deserved an hour and half of my time?

Director & Writer: Thomas Bezucha
Julie Morton: Claire Danes
Sybil Stone: Diane Keaton
Amy Stone: Rachel McAdams
Everett Stone: Dermot Mulroney
Kelly Stone: Craig T. Nelson
Meredith Morton: Sarah Jessica Parker
Ben Stone: Luke Wilson
Thad Stone: Tyrone Giordano
Patrick Thomas: Brian J. White
Susannah Stone Trousdale: Elizabeth Reaser

Meredith: What's so great about you guys?
Sybil: Uh, nothing... it's just that we're all that we've got.

The Time Traveler's Wife

Henry has a genetic disorder that causes him to time travel. He cannot control where he goes or when he comes back. Clare Abshire has known Henry since she was six years old and he was an adult; he time traveled into her past because in the present they are married. Clare fell in love with Henry as a result of his time traveling, and yet it is the time traveling that keeps them from being together.

The Time Traveler’s Wife is a confusing concept, but a beautiful romance at heart with an incredibly unique take on time travel. While the film is a lot softer and definitely can’t cover as much as the book I still found it to be touching and a very human story.

The biggest strength of The Time Traveler’s Wife is definitely its leads. Without the strength and talent of Eric Bana and Rachel McAdams the film would fall flat. This film has to cram an incredibly complex and truncated story into such a small period of time that there is no way Robert Schwentke could have made this movie with leads that could so easily pull the audience in to empathize and care for them. McAdams and Bana have a great chemistry together and were incredibly believable as two people incredibly in love with one another.

That being said I was not thrilled with the direction that Robert Schwentke provided. While the film was not badly directed this is a film that could have been played with, stylized and been stamped with more than just the typical breezy direction that a romance movie typically gets. There was nothing about the direction of The Time Traveler’s Wife that stood out and made me want to see more of Schwentke.

I would not buy The Time Traveler’s Wife as I am not a sucker for romantic movies, but I do think that it is going to hit a core audience (especially women) who adore a good romance and definitely be remembered.

Director: Robert Schwentke
Writer: Bruce Joel Rubin
Richard DeTamble: Arliss Howard
Henry DeTamble: Eric Bana
Clare Abshire: Rachel McAdams
Gomez: Ron Livingston
Dr. Kendrick: Stephen Tobolowsky
Alba: Hailey McCann

State of Play

Los Secretos del Poder04
Originally uploaded by Cine Fanatico

Maybe it’s my fascination with the boy in blue, but I am a sucker for movies about journalists – I even wanted to be a journalist when I was younger – so it’s no wonder that State of Play appealed to me.

State of Play starts with the typical premise of two supposedly not related cases – the double murder being investigated by seasoned reporter Cal and the torrid political affair revealed post-suicide being investigated by young Della. Della and Cal initially cross each others paths because the young suicide victim Sonia was aide to Senator Stephen Collins, Cal’s college roommate. Cal refuses to deal with Della’s story until he uncovers evidence that might link his story to hers and uncover an even deeper conspiracy. Cal and Della get caught up in a web between their editor, the police, the paramilitary organization Collins is investigating, Collins and their own desire to get to the truth of the story.

State of Play is based on the BBC mini series of the same name, and I can tell you it makes an excellent movie. While I found the very tail of the conspiracy a tad predictable, State of Play is taut, suspenseful, well acted, and thoroughly entertaining to watch. From Cal’s first appearance on screen I was pulled into his world and by the end of the film I was feeling just as much passion for Della and Cal’s commitment to their art as they were.

I love Ben Affleck and have been very happy to see him get more dramatic roles. I thought he did a great job in State of Play, but I had the same problem with him in this movie that I had with Matt Damon in The Good Sheppard - age. For State of Play we have to believe that Affleck is old enough to have had Russell Crowe as college roommate and Robin Wright Penn as college sweetheart turned wife. The man was a teenager when she played Buttercup!

I greatly enjoyed State of Play and highly recommend the movie. I left the movie feeling two things: 1) Rachel McAdams needs to be in more movies, 2) I really need to see All the President’s Men.

Director: Kevin Macdonald
Writers: Matthew Michael Carnahan, Tony Gilroy, Billy Ray
Cal McAffrey: Russell Crowe
Stephen Collins: Ben Affleck
Della Frye: Rachel McAdams
Cameron Lynne: Helen Mirren
Anne Collins: Robin Wright Penn
Dominic Foy: Jason Bateman

Della Frye: Did we just break the law?
Cal McAffrey: Nope. That's what you call damn fine reporting.

Married Life

Originally uploaded by Legendary Classic

Married Life is a film that deserves a wide audience, yet is one of those remarkable films that no matter how hard you try it feels as though you cannot fully describe the tale it tells. At once a dark comedy, film noir, and cautionary tale Married Life defies definition and gracefully transcends the genres from which it borrows due to the talents of writer & director Ira Sachs, writer Oren Moverman & the talented cast.

At its heart Married Life addresses two primary themes: the changes imposed upon us by our environment, and how well do we know the people we love. These themes are woven into the film with the for once artfully executed device of a first person narrator, one of the major players in the story, Richard played by Pierce Brosnan. Richard looks back on the event after it has happened and uses his current detachment from the situation to keep a certain levity about it, and calmly relate it to the audience.

The world Married Life takes place in is one that has recently experienced World War II and is still feeling the results of the war, though is trying its best to ignore those circumstances; this is where our first theme of changes our environment force upon us comes into play in a very key way through Rachel McAdams award worthy performance as young war widow Kay. Kay is the heart of the films disjointed love triangles; she is caught between Harry (Chris Cooper) and Richard who are both intent on making Kay enjoy life like the young beautiful woman she is; Kay however, pretends to enjoy the attention but the mere reference of her deceased husband sends Kay into a more emotional state than either suitor can conjure on his own flirtations. The attention of these men is relished by Kay because they offer the companionship she no longer has.

Our second victim or his environment is Harry; though he is the opposite of his mistress Kay. While Kay would have loved to remain happily married to her husband, Harry longs for escape from a marriage he finds confining because he feels that his wife’s desire for physical intimacy is not the “real” love he so craves. He longs for what he perceives to be true intimacy, the fruits of his relationship with Kay.

Richard, our jovial narrator is a victim of his environment as well though he is the quickest to admit it. The instant his best friend Harry reveals his desire to leave his wife Pat (Patricia Clarkson) he introduces Richard to Kay and instantly Richard is insanely jealous of Harry’s having Kay. Richard becomes the victim of his circumstances because he is trapped because of his feelings for Kay and his loyalty to two of his best friends in Harry and Pat.

Not to be overlooked is Harry’s wife Pat. Pat knows Harry no longer loves her and that she is in love with their friend John, but she traps herself in the marriage by refusing to believe that Harry cannot survive without her and she is unwilling to have him live a life of shame if she were to leave him.

At the end of the film Richard as narrator tells the audience the films key point: ‘how well do you really know they person that lies next to you?” This theme is driven home as each character is put through the wringer emotionally as they commit what they consider to be unavoidable but horrific sins against the people they love to drive this point home. Durring the course of the film Richard betrays Harry by pursing Kay & lies to Pat to get her to hide her affair from Harry; Kay allows Harry to cheat on his wife as she cheats on Harry; Pat has an affair with a family friend while trying to convince Harry that she is a devoted wife; Harry cheats on his wife with Kay, and hatches a plot to murder his wife so that she can be free of the shame and turmoil that would ensue if he left her for Kay.

This films is best described as a cross between Double Indemnity & American Beauty; it is a film that twists, provides laughs and entangles us in its suspense; Married Life is a film that is intended to portray the tangled web within which we all live our lives, and the lengths in which we will go to achieve a little thing called “happy”.

Director: Ira Sachs
Writer: Ira Sachs & Oren Moverman
Richard: Pierce Brosnan
Harry: Chris Cooper
Kay: Rachel McAdams
Pat: Patricia Clarkson
John: David Wenham