Showing posts with label x-men. Show all posts
Showing posts with label x-men. Show all posts

Tuesday, May 5, 2009

X-Men

X-Men is a tale everyone is pretty familiar with now. In a near future mutants have started to become a part of society and like any deviation from the standard this has begun to make the public uncomfortable; the mutants are viewed as “others” that cannot be controlled and are probably dangerous. The government is working to pass legislation that will force mutants to register, and this makes mutant leader Magneto and his minions take action against the public. The only ones who can stop them are the X-men, the students of another mutant Professor Charles Xavier.

When X-Men was released it was truly the beginning of the contemporary comic book film. We would not have The Dark Knight, Spider Man, or Iron Man the way we have them now if it wasn’t for this film and the film is an excellent movie. That being said, X-Men is nowhere near the level of comic book movie that the fans expect nowadays it is not nearly faithful enough to the source material. I won’t bore you all with the details but the major issues are Rouge being a teen and the absence of mutants like Gambit & most importantly Beast.

What is great about this movie is Bryan Singer. Singer gets X-Men on top of being a fantastic director; many people have speculated that because Singer is an “other” himself he could identify with these characters. Singer himself has admitted that he doesn’t know or read comic books; this didn’t seem to be a problem when he directed his X-Men movies, but it did become a problem when he made Superman Returns.

Director: Bryan Singer
Writer: Tom DeSanto
Wolderine: Hugh Jackman
Professor X: Patrick Stewart
Magneto: Ian McKellen
Jean Grey: Famke Janssen
Cyclops: James marsden
Storm: Halle Berry
Rogue: Anna Paquin

Dr. Jean Grey: Ladies and gentlemen, we are now seeing the beginnings of another stage of human evolution. These mutations manifest at puberty, and are often triggered by periods of heightened emotional stress.
Senator Kelly: Thank you, Miss Grey! That was-quite educational. However it fails to address the issue which is the focus of this hearing. Three words: are mutants dangerous

Friday, May 1, 2009

X-Men Origins: Wolverine


wolverine movie pic
Originally uploaded by pinoy.stoner
Any X-Men junkie knows the basic origins of Wolverine. Logan was born decades ago and his mutant healing powers make is so that he does not age; he’s lived through numerous wars and along the line begins to work for an elite unit of the government with Striker. Finally, Wolverine volunteers to be part of a medical experiment and have adamantium grafted with his skeletal structure and becomes pretty much indestructible. Logan also loses his memory and is hunted by Striker without ever knowing why. This is pretty much the story in X-Men Origins: Wolverine but it is not clearly or concisely told. What could have been a very high energy, dramatic origins story was instead badly written and sloppily directed.

The best way to describe the direction of this movie is leading; Gavin Hood seems to be afraid to try anything atmospheric or to let the audience notice what is in his shots. Instead, he inserts coverage for everything he wants to make sure you see, and all of the shots are the basic master, double, close-up for each scene. However, even this would be forgivable if the writing weren’t so lazy.

Wolverine is the classic example of a screenplay where A leads to B which leads to C without any motivation or means of tying incidents together. Characters do not have motivation for anything, and relationships are very forced. Perhaps the best example of sloppy writing was the first time Wolverine is called “Logan”; it comes in the last act of the film and no one has ever called him that before – it seems like a character just makes the name up. There is also the issue of inaccuricies with the comic book; perhaps the biggest in this film is what happens to Deadpool’s character in the last act of the film. Not only does this break with the actual character of Deadpool but it’s just stupid.

What was great about this movie was for fantastic actors: Hugh Jackman, Liev Schreiber, Ryan Reynolds & Taylor Kitsch. As Wolverine Jackman was phenomenal as usual and you could tell he put his all into this film. Schreiber is perhaps the best embodiment of Sabertooh that I could imagine and he is well paired with Jackman. Somehow he just exhudes an animal nature in a way I didn’t know he could. I have always loved Ryan Reynolds and the wise-crackign nature of Deadpool fits him perfectly; I was very upset that Reynolds wasn’t utilized further. Finally, Taylor Kitsch was chosen to portray the most anticipated character of the series so far as Gambit. Not only was he perfect as the souther-boy card shark, but he was the wonderful charismatic character I always remember Gambit being. I was glad that with all the films other fault we did get a sizeable portion of Gambit.

Wolverine is the kind of film that you’ll probably watch and enjoy once, but I doubt it will be a film that the real fanboys want to analyze and watch repeatedly. The ladies will love the man-candy that is all over this film too.

Director: Gavin Hood
Writers: David Benioff & Skip Woods
Wolverine: Hugh Jackman
Sabertooth: Liev Schreiber
Stryker: Danny Huston
Gambit: Taylor Kitsch
Deadpool: Ryan Reynolds

Victor Creed: Do you even know how to kill me?
Logan: I'm gonna cut your God damn head off. See if that works.

Saturday, February 21, 2009

Someone Like You

Someone Like You is the story of Jane Goodale. She gets her heart broken when she dates a coworker and becomes utterly depressed, depressed enough to become obsessed with figuring out why men leave women and invents a pseudonym that allows her to write about her theory – new cow. However, during Jane’s depression she becomes close to coworker and womanizer Eddie and doesn’t realize that perhaps, not every man is as bad as she makes him out to be.

I have to say that this movie is slow and doesn’t really do anything…really, it’s kind of meandering and boring. I love Ashley Judd but her character is not all that compelling, and the world of day time television they exist in is bland and far too normal. However, this movie lives and breathes on the shoulders of Hugh Jackman – he makes Someone Like You worth watching, and really is why I own this movie. Any scene with Jackman is a scene worth watching, and his charisma rockets off the screen. This is a film that was out long before Jackman was a household name for anything other than X-men and it proves why he has gone all the way to being voted the sexiest man alive.

Directir: Tony Goldwyn
Writer: Elizabeth Chandler
Jane Goodale: Ashley Judd
Ray Brown: Greg Kinnear
Eddie Alden: Hugh Jackman
Liz: Marisa Tomei
Diane Roberts: Ellen Barkin

Jane: What is on your neck?
Eddie: I bit myself shaving.

Friday, February 6, 2009

Oklahoma!

As the Hollywood lore goes Hugh Jackman was an actor in Australia and performed in a version of Oklahoma! which was filmed. While Wolverine was being cast for Bryan Singer's X-men someone caught a performance (or perhaps the recording), noticed Jackman and sent it to those in charge of casting for the film. They were intrigued by Jackman and decided to have him audition - the rest is history.

I have never seen Oklahoma! before and when I saw Jackman's version avaialble on Netflix I decided to give it a try. To me, Oklahoma! is a strange musical - it's a prarie love story with a dark underbelly about a perverted farm hand that covets Laurey who falls in love with Curly, so while you have this cute, flirty thing going on between Laurie and Curly you have the creepy farmhand trying to take Curly out and force himself on Laurey. Strange.

What is remarkable about this version of Oklahoma! is the man that broke out of it - Hugh Jackman. Even in a play Jackman's charisma bursts from the stage and you notice him above everyone else. Let me tell you - Hugh Jackman can sing! I was already looking forward to Jackman being the Oscar host this year, but seeing Oklahoma! has made me even more excited.

Director: Trevor Nunn
Curly: Hugh Jackman
Laurey: Josefina Gebrielle
Aunt Eller: Maureen Lipman

Sunday, December 28, 2008

Valkyrie


Valkyrie Poster
Originally uploaded by AsceticMonk
What I am about to say will upset comic book geeks everywhere.

Bryan Singer needs to stop making comic book movies.

That’s right. I am calling Bryan Singer out to stop jumping on board with the likes of X-Men and Superman Returns and keep up with what he does best – movies about bad guys and characters in impossible situations – movies like The Usual Suspects and Valkyrie.

I have been waiting for Valkryie with baited breath for over a year because it is made by the team that made my favorite film The Usual Suspects - Singer and Christopher McQuarrie. However, the film was bounced around like a ping pong ball and rumors were flying about it to the point that I was fully prepared to hate the film, but I have a soft spot for Singer and had to give it the benefit of a doubt and so I saw it as soon as possible after Christmas was done.

To begin my review I feel that I need to begin with what the audience and the studio believes are the flaws of the film: the lack of the German language, Nazi’s as protagonists and Tom Cruise.

I was one of the many people that was upset that Valkyrie very obviously ignored the use of German in the film and instead gave all of the character American accents. In a day and age where we can make humans fly on broomsticks in a magical game called quidditch it seems fitting that a group of actors playing characters based on real Germans should at least fake an accent if they can’t fake the language. I will be the first to admit that I was wrong. I thought the lack of a German “feel” to the language was going to drive me insane as I watched the film – but it didn’t. In fact the way Singer manages to get around the use of the language points out how incredibly strange it would have been to watch the entire film with such familiar multi-national actors speaking a language not at all similar to their own, and for the sticklers German writing is all over the film and in the beginning of the film Tom Cruise actually does do a voice over in German and that slowly fades into English – the opening credits are even done in German and English.

The largest obstacle to the plot of the film and to the studio being able to market Valkyrie is the mere fact that all of the characters are Germans in World War II, all fighting for mother Germany. Almost everyone around the world has been universally brought up to believe that all German’s of that era were Nazi’s, evil to the core and Hitler’s minions. This subconscious thinking is inescapable to the studio, and yet something that must be faced because this story is real. You cannot substitute G.I.’s in place of Germans – this is a remarkable true story of a group of German soldiers and politicians who say Hitler for the evil he was and were bold and brave enough to try and do something to stop it. The other giant obstacle that studio faces in this film, and what Singer and McQuarrie faced is the fact that if you’ve been alive in the past handful of decades you know that Hitler lived until the end of the war and was only killed when he committed suicide – in other words the characters in Valkyrie are defeated and anyone paying attention to the concept of the film knows this going in. It is incredibly hard to make a film where you audience already knows the ending but somehow Singer and McQuarrie manage to still create tension and empathy where none should exist. That is a skill that cannot be taught and must be viewed by anyone who appreciates great efforts in filmmaking.

Finally, the last and what some might argue to be the biggest obstacle in Valkyrie’s path is Tom Cruise. While Cruise was once the biggest movie star in the world his ego and eccentricies got the better of his public image in the past five or so years and his star has gotten more and more tarnished. Luckily, Cruise has finally figured out that he needs to stop touting what no one wants to hear and start being the movie star we all used to love. He started this with Tropic Thunder and the buzz was so great around him for that film that the studio finally dared release Valkyrie at a time that would help it instead of hinder it.

Don’t let the image Cruise has created in the media recently get in the way of your opinion of the acting. Remember that this is the man nominated for Oscars for multiple films, and a man that should have won one for his performance in Magnolia - Cruise is capable of being more than you think he can be. In Valkyrie Cruise once again returns to dramatic acting and he is fabulous. While I do not think that Valkyrie is his best role it is an amazing, conflicted character that he plays and he plays it expertly. Stauffenberg was a man torn between his love for his country and the oath he swore to a man he hated and Cruise pulls that off in a way that makes you wish this German soldier had been able to succeed in a treasonous act.

While this review may have rambled on for far too long it still cannot express accurately how much I loved and was enthralled with Valkyrie. While I no longer hold hope that this movie will get the critical acclaim it deserves, I can hope that at least the film will reach DVD before too long and gain the large following it deserves. I hope that Singer and Cruise take a note from Valkyrie and each return to the roots of their careers and do what they do so well.

Director: Bryan Singer
Writer: Christopher McQuarrie & Nathan Alexander
Colonel Stauffenberg: Tom Cruise
Major-General Tresckow: Kenneth Branagh
General Olbricht: Bill Nighy
General Fromm: Tom Wilkinson
Nina von Stauffenberg: Carice van Houten
Major Remer: Thomas Kretschmann
Ludwig Beck: Terence Stamp
General Fellgiebel: Eddie Izzard
Dr. Goerdeler: Kevin McNally
Colonel Quirnheim: Christian Berkel
Hitler: David Bamber
Colonel Brandt: Tom Hollander

Henning von Tresckow: We have to show the world that not all of us are like him. Otherwise, this will always be Hitler's Germany.