It’s no secret that Star Trek is one of my happy movies. I love what JJ Abrams did to the franchise to make it relevant again and I think that Rodenberry would be happy with it to – knowing that a whole new generation was going to get to enjoy his creation.
The difficult thing about taking on such a well known formula, whether it be from the perspective of a director or an actor, is remembering to stay true to the formula while shaking up enough that you don’t fall into the traps of what came before you. If push comes to shove, when you boil down what the critics of Abrams Star Trek have to say is that they are upset that it deviated in style and tone from the series they remember. My rebuttal to this would be that if the formula, style and tone had been working then it wouldn’t have been changed. Abrams was brought in to breathe new life into the Trek franchise and that’s exactly what he did. As someone who never got caught up in arguing about the difference between a Trekkie and a Trecker he could do what so many couldn’t; together with his creative team he was able to take five decades of plot and characters and sift away at it – allowing the chaff to blow away into the breeze and be left with the real meat of concept.
I am waiting to see what a sequel to Star Trek will bring to the plate. I hope that Abram’s take on the franchise will be more than a one-note wonder, but only time will tell.
Spock: I would cite regulation, but I know you will simply ignore it.
Kirk: See? We are getting to know each other.
Robert Mitchum played the drunk in El Dorado, Dean Martin played the drunk in Rio Bravo. Basically it was the same part. Now John Wayne played the same part in both movies, he played John Wayne... Get Shorty
Showing posts with label zachary quinto. Show all posts
Showing posts with label zachary quinto. Show all posts
Monday, May 17, 2010
Saturday, November 21, 2009
Star Trek

What struck me about the film this time around is the camera movement Abrams put into his shots. They’re slightly unique for the camera work one would normally see in this kind of film and I honestly think that it’s a technique I might try out some day. Abrams uses a lot of dolly work for his shots and will start or end with a canted angle. In the planet bound scenes it adds a nice visual character to the shot, but when done on the Enterprise and when they are in space it aids to the visual idea that they are in space, a place without a right side up or gravity to pin the ship down.
I will also be interested to see if Abrams does direct the sequel if he keeps the camera flares or drops them from his visual style. While the camera flares grew on me when I first watched the film, I can’t see any story centric reason for them to be there, they seem to merely be there because Abrams thought they were a nice visual touch. I may have come out of Mission: Impossible 3 feeling like the film was good but looked a bit television like, but I did not get that feeling at all from the visuals in Star Trek.
Be prepared for many, many viewings of this film now that I have it on DVD and don’t have to pay $10 a pop to see it.
Kirk: Showing them compassion. It may be the only way to earn peace with Romulus. It's logic, Spock, I thought you'd like that.
Spock: No, not really. Not this time.
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Thursday, June 18, 2009
Star Trek
I don’t go to bars. I don’t drink. I don’t party. What I do is watch movies. That’s why is blog is already up to over 100 posts this year, and why I saw Star Trek again. Last Friday after seeing a matinee of Drag Me to Hell, going to dinner, Barnes & Noble, Hot Topic and a few other places, my brother and I walked back past the theatre and saw that Trek was starting in ten minutes…since we had used free movie tickets (yes we see enough movies to earn free tickets a lot) on the earlier film we went.
What did amaze me is that the movie had already been out for about 6 weeks, and even though it has been moved to smaller theatres it is still packing the house, and pulling the audience into the film. People still cheer, clap, gasp and laugh at all the appropriate moments. The shine has not worn off Star Trek.
I will also admit that I have already done an extensive google search to see if I can find the DVD release information for the film…it doesn’t have a date yet. You can be sure that I will be buying this one on the day it comes out and watching it that night. But I still might be seeing it a few more times in theatres.
Leonard 'Bones' McCoy: I may throw up on ya.
Kirk: I think these things are pretty safe.
Leonard 'Bones' McCoy: Don't pander to me, kid. One tiny crack in the hull and our blood boils in thirteen seconds. Solar flare might crop up, cook us in our seats. And wait till you're sitting pretty with a case of Andorian shingles, see if you're so relaxed when your eyeballs are bleeding. Space is disease and danger wrapped in darkness and silence.
Kirk: Well, I hate to break this to you, but Starfleet operates in space.
What did amaze me is that the movie had already been out for about 6 weeks, and even though it has been moved to smaller theatres it is still packing the house, and pulling the audience into the film. People still cheer, clap, gasp and laugh at all the appropriate moments. The shine has not worn off Star Trek.
I will also admit that I have already done an extensive google search to see if I can find the DVD release information for the film…it doesn’t have a date yet. You can be sure that I will be buying this one on the day it comes out and watching it that night. But I still might be seeing it a few more times in theatres.
Leonard 'Bones' McCoy: I may throw up on ya.
Kirk: I think these things are pretty safe.
Leonard 'Bones' McCoy: Don't pander to me, kid. One tiny crack in the hull and our blood boils in thirteen seconds. Solar flare might crop up, cook us in our seats. And wait till you're sitting pretty with a case of Andorian shingles, see if you're so relaxed when your eyeballs are bleeding. Space is disease and danger wrapped in darkness and silence.
Kirk: Well, I hate to break this to you, but Starfleet operates in space.
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Wednesday, May 20, 2009
Star Trek
Honestly, the true test of how much I genuinely love a movie is how often I watch it or talk about it. Last year I genuinely fell in love with Iron Man and I am relatively sure it’s landing on the list of my all-time favorite films. This year I am falling head over heels for Star Trek and if the love affair continues it could also end up on my favorite films list.
What was so great about this viewing was that I got to watch Star Trek with an original Trekkie – my grandmother. My grandmother has followed the Trek universe since the first episode of the original series premiered and has been a faithful fan ever since. I considered this a true test of how the film would hold up against a real fan, someone who fell in love with the series because of William Shatner, Leonard Nimoy, DeForest Kelley, and Gene Roddenberry. She filled my childhood head with the world of the Federation, always had the coolest collectibles and would call foul when she saw the shows do something stupid; if there was anyone that I would genuinely listen to if they cried foul over Abrams updated Trek it would be her.
My grandmother loved Star Trek. A original Trekkie to the core, she told me that she thought Abrams understood the series perfectly and it was a great movie, her favorite Star Trek movie in years.
I challenge anyone out there that thinks Abrams defiled Star Trek to take on my grandmother. She knows her stuff better than most of the haters out there, and above all else since she’s been around the series since its inception she remembers that the series is supposed to be about the characters, the explorations and most of all the adventures – science always took a back seat when Rodenberry was at the wheel.
McCoy: Permission to speak freely, sir?
Spock: I welcome it.
McCoy: Do you? OK, then. Are you out of your Vulcan mind? Are you making a logical choice, sending Kirk away? Probably. But, the right one? You know, back home we have a saying: "If you wanna ride in the Kentucky Derby, you don't leave your prized stallion in the stable."
What was so great about this viewing was that I got to watch Star Trek with an original Trekkie – my grandmother. My grandmother has followed the Trek universe since the first episode of the original series premiered and has been a faithful fan ever since. I considered this a true test of how the film would hold up against a real fan, someone who fell in love with the series because of William Shatner, Leonard Nimoy, DeForest Kelley, and Gene Roddenberry. She filled my childhood head with the world of the Federation, always had the coolest collectibles and would call foul when she saw the shows do something stupid; if there was anyone that I would genuinely listen to if they cried foul over Abrams updated Trek it would be her.
My grandmother loved Star Trek. A original Trekkie to the core, she told me that she thought Abrams understood the series perfectly and it was a great movie, her favorite Star Trek movie in years.
I challenge anyone out there that thinks Abrams defiled Star Trek to take on my grandmother. She knows her stuff better than most of the haters out there, and above all else since she’s been around the series since its inception she remembers that the series is supposed to be about the characters, the explorations and most of all the adventures – science always took a back seat when Rodenberry was at the wheel.
McCoy: Permission to speak freely, sir?
Spock: I welcome it.
McCoy: Do you? OK, then. Are you out of your Vulcan mind? Are you making a logical choice, sending Kirk away? Probably. But, the right one? You know, back home we have a saying: "If you wanna ride in the Kentucky Derby, you don't leave your prized stallion in the stable."
Friday, May 15, 2009
Star Trek
I saw Star Trek with my Mother on Mother’s Day. I have to say that while the surprise factor was gone, the film was still as fresh, exciting and funny as I remembered it to be. In fact, this time I caught more because I wasn’t laughing so hard at some of the jokes. This is a well written film. It really does balance character, mythology, humor and suspense throughout the entire length of the film. One of the most enjoyable things about it for me is that from the opening frames the film hit the ground running and continues at a break neck pace until it’s conclusion. This is incredibly hard to do and most films that have done it usually sacrifice the film quality or plot to get it done, but Abrams and his writers managed to pull it off so well it seems effortless.
It is also my personal opinion that this Trek film was influenced hugely in its technique and execution by Firefly. While I may not have been too big a fan of things like the lens flares Abrams uses in Star Trek I was a fan of the way he shot space. You’ll notice that there is very little fire in space when ships explode, sound is gone unless it’s coming from an oxygenated environment, and they also use the fast/messy digital zooms that Firefly used constantly in its space shots. The similarities are pretty obvious to anyone that calls themselves a Browncoat and frankly the film is better for it. Firefly helped realistically define how to create space for film and television and I am glad that other people have taken notice of that short lived show.
I also have to say that I am impressed at how seamlessly the filmmakers integrated Leonard Nimoy into the film. When I first found out Nimoy was going to be in Star Trek I was actually worried that he would be used in some artificial, stick-out-like-a-sore-thumb kind of way, or he’d bookend the film and just be superfluous. Instead, Nimoy’s Spock was just as important to the film as any other character and I have to say I am so incredibly glad I got to hear Nimoy’s version of Spock say “Live long and prosper” once more time on screen.
Christopher Pike: Your father was captain of a starship for twelve minutes. He saved 800 lives, including yours. I dare you to do better. Enlist in Starfleet.
It is also my personal opinion that this Trek film was influenced hugely in its technique and execution by Firefly. While I may not have been too big a fan of things like the lens flares Abrams uses in Star Trek I was a fan of the way he shot space. You’ll notice that there is very little fire in space when ships explode, sound is gone unless it’s coming from an oxygenated environment, and they also use the fast/messy digital zooms that Firefly used constantly in its space shots. The similarities are pretty obvious to anyone that calls themselves a Browncoat and frankly the film is better for it. Firefly helped realistically define how to create space for film and television and I am glad that other people have taken notice of that short lived show.
I also have to say that I am impressed at how seamlessly the filmmakers integrated Leonard Nimoy into the film. When I first found out Nimoy was going to be in Star Trek I was actually worried that he would be used in some artificial, stick-out-like-a-sore-thumb kind of way, or he’d bookend the film and just be superfluous. Instead, Nimoy’s Spock was just as important to the film as any other character and I have to say I am so incredibly glad I got to hear Nimoy’s version of Spock say “Live long and prosper” once more time on screen.
Christopher Pike: Your father was captain of a starship for twelve minutes. He saved 800 lives, including yours. I dare you to do better. Enlist in Starfleet.
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Friday, May 8, 2009
Star Trek
In this Trek universe James Kirk has grown up rebellious and fatherless because the day he was born his father died saving the lives of the U.S.S. Kelvin crew as it was being attacked by a futuristic Romulan ship captained by Nero. Meanwhile, Spock grows up on Vulcan experiencing a different kind of emotional rift as he is half-Vulcan/half-human and must decide which lifestyle he should choose. Spock enters Star Fleet and rises through the ranks, but Kirk shuns Star Fleet until he is shamed and challenged by Capt. Pike. Three years into the academy Vulcan sends a distress call and Star Fleet sends all of the cadets into active duty allowing Kirk, Bones, & Uhura to join the rest of the Enterprise crew. Once nearing Vulcan Kirk realizes that the disaster Vulcan is experiencing isn’t natural, but the same thing that attacked the Kelvin 25 years before.
Star Trek is unlike any Trek movie I have ever seen and it is all the better for it. JJ Abrams and his writers truly dug into the roots of Star Trek and decided to bring the series back to its core with the original characters, and they returned the original adventurous attitude as well. This is Star Fleet without rules, the impulsive space adventure we all truly want and we get the added bonus of having a Federation universe that is not at peace, it is still at war with the Klingons, Romulans and doesn’t have all the answers.
What is so remarkable about this film is the characters are perfectly acted and written so that they are instantly identified with the originals we know and love without being charicatures or far too predictable. Zoe Saldana is sultry and attitude driven as Uhura; Simon Pegg is hysterical & lovable as Scotty; Anton Yelchin is young, excitable & overzealous as Chekov; John Cho is the perfect blend of cocky & naive as Sulu. On top of that Zarchary Quinto & Chris Pine are beyond perfect representations of Spock & Kirk for a new generation. Not only do they really understand the core of these characters but they understand their relationship and how each man begins to inform the other.
That being said, the single show stealing actor is Karl Urban. Urban was born to play McCoy. From the moment you first hear him, before he ever walks on screen you know that Bones is coming and he captures your attention. He is filled with attitude, heart and that biting wit that always made McCoy a crowd favorite. This may be a bit of Trek heresy but I think that Urban is a better McCoy than Deforest Kelly. Urban is so good that you forget that the other actors are doing phenomenally as well.
What was so great about the writing for these characters is that the writers thought about how to get what the fans would expect in there without making it seem out of place or smack of cliché. Each character has their signature line thrown into the movie, but it happens so naturally that you wouldn’t realize those lines are important unless you are a fan, and eve in you are a Trekkie you might miss them on first viewing.
This movie did the impossible. Abrams has managed to reinvent the Star Trek wheel without throwing the car out of alignment. He pays enough homage to the original films that hard core Trekkies can appreciate it (if they get over their grudges and get to the theatre) but change the timeline so the original films can still be valid. Trek now exists in an alternate timeline. As if that weren’t enough, Abrams has opened Trek up, and people that are completely unfamiliar with the world of the Federation can discover it in an incredibly approachable way.
Go see this movie.
Director: JJ Abrams
Writers: Roberto Orci & Alex Kurtzman
James T. Kirk: Chris Pine
Spock: Zachary Quinto
Old Spock: Leonard Nimoy
Nero: Eric Bana
Capt. Pike: Bruce Greenwood
Leonard McCoy: Karl Urban
Uhura: Zoe Saldana
Scotty: Simon Pegg
Sulu: John Cho
Chekov: Anton Yelchin
Sarek: Ben Cross
Amanda Grayson: Winona Ryder
Nero: James T. Kirk was a great man... but that was another life.
Star Trek is unlike any Trek movie I have ever seen and it is all the better for it. JJ Abrams and his writers truly dug into the roots of Star Trek and decided to bring the series back to its core with the original characters, and they returned the original adventurous attitude as well. This is Star Fleet without rules, the impulsive space adventure we all truly want and we get the added bonus of having a Federation universe that is not at peace, it is still at war with the Klingons, Romulans and doesn’t have all the answers.
What is so remarkable about this film is the characters are perfectly acted and written so that they are instantly identified with the originals we know and love without being charicatures or far too predictable. Zoe Saldana is sultry and attitude driven as Uhura; Simon Pegg is hysterical & lovable as Scotty; Anton Yelchin is young, excitable & overzealous as Chekov; John Cho is the perfect blend of cocky & naive as Sulu. On top of that Zarchary Quinto & Chris Pine are beyond perfect representations of Spock & Kirk for a new generation. Not only do they really understand the core of these characters but they understand their relationship and how each man begins to inform the other.
That being said, the single show stealing actor is Karl Urban. Urban was born to play McCoy. From the moment you first hear him, before he ever walks on screen you know that Bones is coming and he captures your attention. He is filled with attitude, heart and that biting wit that always made McCoy a crowd favorite. This may be a bit of Trek heresy but I think that Urban is a better McCoy than Deforest Kelly. Urban is so good that you forget that the other actors are doing phenomenally as well.
What was so great about the writing for these characters is that the writers thought about how to get what the fans would expect in there without making it seem out of place or smack of cliché. Each character has their signature line thrown into the movie, but it happens so naturally that you wouldn’t realize those lines are important unless you are a fan, and eve in you are a Trekkie you might miss them on first viewing.
This movie did the impossible. Abrams has managed to reinvent the Star Trek wheel without throwing the car out of alignment. He pays enough homage to the original films that hard core Trekkies can appreciate it (if they get over their grudges and get to the theatre) but change the timeline so the original films can still be valid. Trek now exists in an alternate timeline. As if that weren’t enough, Abrams has opened Trek up, and people that are completely unfamiliar with the world of the Federation can discover it in an incredibly approachable way.
Go see this movie.
Director: JJ Abrams
Writers: Roberto Orci & Alex Kurtzman
James T. Kirk: Chris Pine
Spock: Zachary Quinto
Old Spock: Leonard Nimoy
Nero: Eric Bana
Capt. Pike: Bruce Greenwood
Leonard McCoy: Karl Urban
Uhura: Zoe Saldana
Scotty: Simon Pegg
Sulu: John Cho
Chekov: Anton Yelchin
Sarek: Ben Cross
Amanda Grayson: Winona Ryder
Nero: James T. Kirk was a great man... but that was another life.
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